Simone
Leigh

2022 Venice
Biennale

Official U.S. Presentation, 59th International
Art Exhibition, La Biennale di Venezia

April 23–
November 27, 2022

Commissioned by the
Institute of Contemporary Art/Boston

Simone Leigh

Over the past two decades, Simone Leigh (b. 1967, Chicago, IL) has created an expansive body of work in sculpture, video, and performance that centers Black femme interiority. Inflected by Black feminist theory, Leigh’s practice intervenes imaginatively to fill gaps in the historical record by proposing new hybridities.

 

Simone Leigh, a medium-dark-skinned woman with dreadlocks stands in a rust-colored industrial elevator in a sequined black jacket and dress.

Portrait by Shaniqwa Jarvis

Leigh’s sculptural works join forms derived from vernacular architecture and the female body, rendering them via materials and processes associated with the artistic traditions of Africa and the African diaspora. The collaborative ethos that characterizes Leigh’s videos and public programs pays homage to a long history of Black female collectivity, communality, and care.

In 2019, Leigh was the first artist commissioned for the High Line Plinth, New York. Recent exhibitions include The Hugo Boss Prize 2018: Simone Leigh, Loophole of Retreat at the Solomon R. Guggenheim Museum, New York (2019); the 2019 Whitney Biennial; Trigger: Gender as a Tool and a Weapon (2017) at the New Museum of Contemporary Art, New York; Psychic Friends Network (2016) at Tate Exchange, Tate Modern, London; Hammer Projects: Simone Leigh (2016–17) at the Hammer Museum, Los Angeles; inHarlem: Simone Leigh (2016–17), a public installation presented by The Studio Museum in Harlem at Marcus Garvey Park, New York; The Waiting Room (2016) at the New Museum of Contemporary Art, New York; and Free People’s Medical Clinic (2014), a project commissioned by Creative Time. Leigh’s work is in the collections of the Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the Art Institute of Chicago; Cleveland Museum of Art; Hammer Museum, Los Angeles; and the ICA/Boston, among others.

The works that comprise Leigh’s exhibition for the U.S. Pavilion will be featured in her first museum survey exhibition at the ICA/Boston in 2023, which will subsequently tour to museums throughout the United States. The exhibition will be accompanied by the first comprehensive monograph dedicated to Leigh’s work.